Literary Fiction

Named a LibraryReads Pick for March 2023 and a Most Anticipated Book of 2023 by Oprah Daily, Elle, and LitHub! From Jeannette Walls, the #1 New York Times bestselling author of The Glass Castle, comes a riveting new novel about an indomitable young woman in Virginia during Prohibition. Most folk thought Sallie Kincaid was a nobody who’d amount to nothing. Sallie had other plans. Sallie Kincaid is the daughter of the biggest man in a small town, the charismatic Duke Kincaid. Born at the turn of the 20th century into a life of comfort and privilege, Sallie remembers little about her mother who died in a violent argument with the Duke. By the time she is just eight years old, the Duke has remarried and had a son, Eddie. While Sallie is her father’s daughter, sharp-witted and resourceful, Eddie is his mother’s son, timid and cerebral. When Sallie tries to teach young Eddie to be more like their father, her daredevil coaching leads to an accident, and Sallie is cast out. Nine years later, she returns, determined to reclaim her place in the family. That’s a lot more complicated than Sallie expected, and she enters a world of conflict and lawlessness. Sallie confronts the secrets and scandals that hide in the shadows of the Big House, navigates the factions in the family and town, and finally comes into her own as a bold, sometimes reckless bootlegger. You will fall in love with Sallie Kincaid, a feisty and fearless, terrified and damaged young woman who refuses to be corralled.

The New York Times bestselling author of The Last Romantics delivers a wise, timely, big-hearted novel of unplanned isolation and newly forged community. Where does one go, you might ask, when the world falls apart? When the immutable facts of your life—the mundane, the trivial, the take-for-granted minutiae that once filled every second of every day—suddenly disappear? Where does one go in such dire and unexpected circumstances? I went home, of course. MURBRIDGE COMMUNITY MESSAGE BOARD FREE: 500 cans of corn. Accidentally ordered them online. I really hate corn. Happy to help load. REMINDER: use your own goddamn garbage can for your own goddamn pet waste. I’m looking at you Peter Luflin. REMINDER: monthly Select Board meeting this Friday. Agenda items: 1) sludge removal; 2) upkeep of chime tower; 3) ice rink monitor thank you gift. Questions? Contact Hildegard Hyman, HHMurbridge@gmail.com Darcy Clipper, prodigal daughter, nearly thirty, has returned home to Murbridge, Massachusetts, after her life takes an unwelcome left turn. Murbridge, Darcy is convinced, will welcome her home and provide a safe space in which she can nurse her wounds and harbor grudges, both real and imagined. But Murbridge, like so much else Darcy thought to be fixed and immutable, has changed. And while Darcy’s first instinct might be to hole herself up in her childhood bedroom, subsisting on Chef Boy-R-Dee and canned chickpeas, it is human nature to do two things: seek out meaningful human connection and respond to anonymous internet postings. As Murbridge begins to take shape around Darcy, both online and in person, Darcy will consider the most fundamental of American questions: What can she ask of her community? And what does she owe it in return?

Surreal, hilarious, and shrewdly poignant—a novel about a Korean American woman living in Berlin whose obsession with a K-pop idol sends her to Seoul on a journey of literary self-destruction. It’s as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on live streams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boy band, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic—in which you, the reader, insert [Your/Name] and play out an intimate relationship with the unattainable star. Then Moon suddenly retires, vanishing from the public eye. She stumbles into total disorientation. As Y/N flies from Berlin to Seoul to be with Moon, our narrator, too, journeys in search of the object of her love. In Korea, an escalating series of mistranslations and misidentifications land her at the headquarters of the Kafkaesque entertainment company that manages the boyband until, at a secret location, together with Moon at last, art and real life approach their final convergence. From a conspicuous new talent comes Y/N, a provocative literary debut about the universal longing for transcendence and the tragic struggle to assert one’s singular story amidst the amnesiac effects of globalization. Crackling with the intellectual sensitivity of Elif Batuman and the sinewy absurdism of Thomas Pynchon, Esther Yi’s prose unsettles the boundary between high and mass art, exploding our expectations of a novel about “identity” and offering in its place a sui generis picture of the loneliness that afflicts modern life.

When X—an iconoclastic artist, writer, and polarizing shape-shifter—falls dead in her office, her widow, CM, wild with grief and refusing everyone’s good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM knows where X was born, and in her quest to find out, she opens a Pandora’s box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, and which finally, in the present day, is being forced into an uneasy reunification. A masterfully constructed literary adventure complete with original images assembled by X’s widow, Biography of X follows CM as she traces X’s peripatetic trajectory over decades, from Europe to the ruins of America’s divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. At last, when she finally understands the scope of X’s defining artistic project, CM realizes her wife’s deceptions were far crueler than she imagined. Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

The spellbinding new novel from New York Times Notable Author and Caine Prize winner Leila Aboulela about an embattled young woman’s coming of age during the Mahdist War in 19th century Sudan. Leila Aboulela, hailed as “a versatile prose stylist” (New York Times) has also been praised by J.M. Coetzee, Ali Smith, and Ben Okri, among others, for her rich and nuanced novels depicting Islamic spiritual and political life. Her new novel is an enchanting narrative of the years leading up to the British conquest of Sudan in 1898, and a deeply human look at the tensions between Britain and Sudan, Christianity and Islam, colonizer and colonized. In River Spirit, Aboulela gives us the unforgettable story of a people who—against the odds and for a brief time—gained independence from foreign rule through their willpower, subterfuge, and sacrifice. When Akuany and her brother Bol are orphaned in a village raid in South Sudan, they’re taken in by a young merchant Yaseen who promises to care for them, a vow that tethers him to Akuany through their adulthood. As a revolutionary leader rises to power - the self-proclaimed Mahdi, prophesied redeemer of Islam - Sudan begins to slip from the grasp of Ottoman rule, and everyone must choose a side. A scholar of the Qur’an, Yaseen feels beholden to stand against this false Mahdi, even as his choice splinters his family. Meanwhile, Akuany moves through her young adulthood and across the country alone, sold and traded from house to house, with Yaseen as her inconsistent lifeline. Everything each of them is striving for - love, freedom, safety – is all on the line in the fight for Sudan. Through the voices of seven men and women whose fates grow inextricably linked, Aboulela’s latest novel illuminates a fraught and bloody reckoning with the history of a people caught in the crosshairs of imperialism. River Spirit is a powerful tale of corruption, coming of age, and unshakeable devotion – to a cause, to one’s faith, and to the people who become family.

This program includes a multicast narration. "A deeply humane and genre-defying work of love and uncompromising hope."—Ocean Vuong A boldly imagined debut novel about three Vietnamese siblings who seek refuge in the UK, expanding into a luminous meditation on ancestry and love There are the goodbyes and then the fishing out of the bodies—everything in between is speculation. After the last American troops leave Vietnam, siblings Anh, Thanh, and Minh begin a perilous journey to Hong Kong with the promise that their parents and younger siblings will soon follow. But when tragedy strikes, the three children are left orphaned, and sixteen-year-old Anh becomes the caretaker for her two younger brothers overnight. In the years that follow, Anh and her brothers resettle in the UK and confront their new identities as refugees, first in overcrowded camps and resettlement centers and then, later, in a modernizing London plagued by social inequality and raging anti-immigrant sentiment. Anh works in a clothing factory to pay their bills. Minh loiters about with fellow unemployed high school dropouts. Thanh, the youngest, plays soccer with his British friends after class. As they mature, each sibling reckons with survivor’s guilt, unmoored by their parents’ absence. With every choice they make, their paths diverge further, until it’s unclear if love alone can keep them together. Told through lyrical narrative threads, historical research, voices from lost family, and notes by an unnamed narrator determined to chart their fate, Wandering Souls captures the lives of a family marked by war and loss yet relentless in the pursuit of a better future. With urgency and precision, it affirms that the most important stories are those we claim for ourselves, establishing Cecile Pin as a masterful new literary voice. A Macmillan Audio production from Henry Holt & Company.

There was a time when the family Künstler lived in the fairy-tale city of Vienna. Circumstances transformed that fairy tale into a nightmare, and in 1939 the Künstlers found their way out of Vienna and into a new fairy tale: Los Angeles, California, United States of America. For years Mamie Künstler, ninety-three-years-old, as clever and glamorous as ever, has lived happily in her bungalow in Venice, California with her inscrutable housekeeper and her gigantic St. Bernard dog. Their tranquility is upended when Mamie’s grandson, Julian, arrives from New York City. Like many a twenty-something, he has come to seek his fortune in Hollywood. But it is 2020, the global pandemic sweeps in, and Julian’s short visit suddenly has no end in sight. Mamie was only eleven when the Künstlers escaped Vienna in 1939. They made their way, stunned and overwhelmed, to sunny, surreal Los Angeles where they joined a colony of distinguished Jewish musicians, writers and intellectuals also escaping Hitler. Now, faced with months of lockdown and a willing listener, Mamie begins to tell Julian the buried stories of her early years in Los Angeles: her escapades with eminent émigrés like Arnold Schoenberg, Christopher Isherwood, Thomas Mann. Oh, and Greta Garbo. While the pandemic cuts Julian off from the life he knows, Mamie’s tales open up a world of lives that came before him. They reveal to him just how much the past holds of the future. Cathleen Schine’s captivating and comedic twelfth novel explores exile, émigrés, movie stars, musicians, family bonds and the power of stories—both those we hand down and the ones held secretly in the heart. A Macmillan Audio production from Henry Holt & Company.

A debut, interlinked collection of stories exploring the primal nature of women’s grief—offering insight into the profound experience of loss and the absurd ways in which we seek control in an unruly world. Seamlessly shifting between the speculative and the blindingly real, balancing the bizarre with the subtle brutality of the mundane, A Manual for How to Love Us is a tender portrait of women trying their best to survive, love, and find genuine meaning in the aftermath of loss. In these unconventional and unpredictably connected stories, Erin Slaughter shatters the stereotype of the soft-spoken, sorrowful woman in distress, queering the domestic and honoring the feral in all of us. In each story, grieving women embrace their wildest impulses as they attempt to master their lives: one woman becomes a “gazer” at a fraternity house, another slowly moves into her otherworldly stained-glass art, a couple speaks only in their basement’s black box, and a thruple must decide what to do when one partner disappears. The women in Erin Slaughter’s stories suffer messy breaks, whisper secrets to the ghosts tangled in the knots of their hair, eat raw meat to commune with their inner wolves, and build deadly MLM schemes along the Gulf Coast. Set across oft-overlooked towns in the American South, A Manual for How to Love Us spotlights women who are living on the brink and clinging to its precipitous edge. Lyrical and surprisingly humorous, A Manual for How to Love Us is an exciting debut that reveals the sticky complications of living in a body, in all its grotesquerie and glory.

Squid Game meets The Left Hand of Darkness meets Under the Skin in this radical literary sensation from South Korea about an alien's hunt for food that transforms into an existential crisis about what it means to be human. After crashing their spacecraft in the middle of nowhere, a shapeshifting alien find themself stranded on an unfamiliar planet and disabled by Earth’s gravity. To survive, they will need to practice walking. And what better way than to hunt for food? As they discover, humans are delicious. Intelligent, clever, and adaptable, the alien shift their gender, appearance, and conduct to suit a prey’s sexual preference, then attack at the pivotal moment of their encounter. They use a variety of hunting tools, including a popular dating app, to target the juiciest prey and carry a backpack filled with torturous instruments and cleaning equipment. But the alien’s existence begins to unravel one night when they fail to kill their latest meal. Thrust into an ill-fated chase across the city, the alien is confronted with the psychological and physical tolls their experience on Earth has taken. Questioning what they must do to sustain their own survival, they begin to understand why humans also fight to live. But their hunger is insatiable, and the alien once again targets a new prey, not knowing what awaits. . . . Dolki Min’s haunting debut novel is part psychological thriller, part searing critique of the social structures that marginalize those who are different—the disabled, queer, and nonconformist. Walking Practice uncovers humanity in who we consider to be alien, and illuminates how alienation can shape the human experience. Translated from the Korean by Victoria Caudle

From “China’s foremost literary satirist” (Financial Times) comes a captivating new novel set at a religious training center in Beijing, focusing on the unlikely love story of a Buddhist nun and a Daoist priest At the Religious Training Center on the campus of Beijing’s National Politics University, disciples of China’s five main religions—Buddhism, Daoism, Protestantism, Catholicism, and Islam—gather for a year of intensive study and training. In this hallowed yet jovial atmosphere, the institute’s two youngest disciples—Yahui, a Buddhist jade nun, and Gu Mingzheng, a Daoist master—fall into a fast friendship that might bloom into something more. This year, however, the worldly Director Gong has an exciting new plan: he has organized tug-of-war competitions between the religions. The fervor of competition offers excitement for the disciples, as well as a lucrative source of fundraising, but Yahui looks on the games with distrust: her beloved mentor collapsed after witnessing one of these competitions. Gu Mingzheng, meanwhile, has his own mission at the institute, centering on his search for his unknown father. Soon it becomes clear that corruption is seeping ever more deeply into the foundation of the institute under Director Gong’s watch, and Yahui and Gu Mingzheng will be forced to ask themselves whether it is better to stay committed to an increasingly fraught faith or to return to secular life forever—and nothing less than the fate of the gods itself is at stake. Illustrated throughout with beautiful original papercuts, animated by Yan Lianke’s characteristically incisive sense of humor, Heart Sutra is a stunning and timely novel that highlights the best and worst in mankind and interrogates the costs of division.

Demetrio Rota, a garbage collector from Buenos Aires, sleeps in the afternoons and assembles puzzles at night before leaving for work. His daily life is mediocre and he keeps his balance through sheer exhaustion. However, through the puzzles, Demetrio inspects and sorts through his own memories. At the end of the journey through his history, the present seems to devour him, until he’s left with only the emptiness of himself and his daily misery.  A parable of memory and deterioration, Andrés Neuman’s Bariloche juxtaposes the astonished memories of youth with a skeptical conscience; the impossible idealization of nature or first love with the moral and physical suffocation of the big city; being uprooted with returning to one’s origins, with a language fascinated by both lyricism and rottenness.

This is a multicast program. "A spellbinding story about what may transpire when the natural world collides with a legacy of witchcraft." —Sarah Penner, New York Times bestselling author of The Lost Apothecary I am a Weyward, and wild inside. 2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century. 1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha’s mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom. 1942: As World War II rages, Violet is trapped in her family's grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom. Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world. A Macmillan Audio production from St. Martin’s Press.

LONGLISTED FOR THE INTERNATIONAL BOOKER PRIZE 2023 “The great voice of the Caribbean.” —Jury, International Booker 2023 A miracle baby is born on Easter Sunday, rumored to be the child of God. Award-winning Caribbean author Maryse Condé follows his journey in search of his origins and mission. "Throughout her four-decade literary career, the Guadeloupean writer has explored a global vision of the Black diaspora, and placed Caribbean life at the center. In the past few years, Condé has been showered with honors and accolades across the globe. The Haitian writer Edwidge Danticat sees Condé as a “giant of literature,” whose prolific work connects continents and generations. One thing is certain: Condé is finally receiving the acclaim her wide-ranging body of work deserves.” ——Anderson Tepper, The New York Times One Easter Sunday, Madame Ballandra puts her hands together and exclaims: “A miracle!” Baby Pascal is strikingly beautiful, brown in complexion, with gray-green eyes like the sea. But where does he come from? Is he really the child of God? So goes the rumor, and many signs throughout his life will cause this theory to gain ground. From journey to journey and from one community to another, Pascal sets off in search of his origins, trying to understand the meaning of his mission. Will he be able to change the fate of humanity? And what will the New World Gospel reveal? For all its beauty, vivacity, humor, and power, Maryse Condé’s latest novel is above all a work of combat. Lucid and full of conviction, Condé attests that solidarity and love remain our most extraordinary and lifesaving forces.

Two estranged childhood friends find themselves on parallel paths to return to the site of the conversion therapy camp that tore them apart. Delia Barnes and Ernest Wrangham met as teens at Celebration Camp, a church-supported conversion therapy program—a dubious, unscientific Christian practice meant to “change” a person’s sexuality. After witnessing a close friend suffer a devastating tragedy in the hands of the camp “counselors,” they escaped in the night, only to take separate roads to their distant homes. They have no idea how each have fared through the years. Delia is a college basketball coach who prides herself on being an empowering and self-possessed role model for her players. But when she gets fired from her elite East Coast university and loses her wife to another woman in rapid succession, she returns to her hometown of Rockside, Oregon to coach the girls’ basketball team at her high school alma mater. Ernest, meanwhile, is a renowned poet in New York City who’s left behind his loving husband for a temporary teaching job in Portland, Oregon. His work has always been boundary-pushing, fearless. But the poem he’s most wanted to write—about his dangerous escape from Celebration Camp—remains stubbornly out of reach. Both remain on a mission to overcome the consequences and inhumane costs of conversion therapy. As events find them hurtling toward each other once again, they both grapple with the necessity of remaining steadfast in one’s truth—no matter how slippery that can be. Tell the Rest is a powerful novel about coming to terms—with family, history, violence, loss, sexuality, and ultimately, with love.

Key Selling Points From the winner of the Akutagawa Prize, “Japan’s National Book Award” For readers of Breasts and Eggs, Heaven, and All the Lovers in the Night by Mieko Kawakami, recent bestsellers and long-sellers from Europa Editions Target Readership Readers of literary fiction, literature in translation, Japanese fiction Readers of Yoko Ogawa, Fernanda Melchor, Yuko Tsashima, Mieko Kawakami, The Enlightenment of the Greengage Tree by Shokoofeh Azar, Territory of Light by Yuko Tshashima

AUDIOBOOK FEATURES EXCERPTS FROM FOUR ORIGINAL SONGS WRITTEN AND COMPOSED BY THE AUTHOR From the author of the New York Times bestseller Everybody Rise, a rich and riveting novel with the exquisite historical detail and evocative settings of The Cold Millions and Great Circle that tells the story of one unforgettable woman’s rise in country and western music. It’s 1980, and Lillian Waters is hitting the road for the very last time. Jaded from her years in the music business, perpetually hungover, and diagnosed with career-ending vocal problems, Lillian cobbles together a nationwide farewell tour featuring some old hands from her early days playing honky-tonk bars in Washington State and Nashville, plus a few new ones. She yearns to feel the rush of making live music one more time and bask in the glow of a packed house before she makes the last, and most important, stop on the tour: the farm she left behind at age ten and the sister she is finally ready to confront about an agonizing betrayal in their childhood. As the novel crisscrosses eras, moving between Lillian’s youth—the Depression, the Second World War, the rise of Nashville—and her middle-aged life in 1980, we see her striving to build a career in the male-dominated world of country music, including the hard choices she makes as she tries to redefine music, love, aging, and womanhood on her own terms. Nearing her final tour stop, Lil is forced to confront those choices and how they shaped her life. Would a different version of herself have found the happiness and success that has eluded her? When she reaches her Washington hometown for her very last show, though, she’ll undergo a reckoning with the past that forces her to reconsider her entire life story. Exploring one unforgettable woman’s creativity, ambition, and sacrifices in a world—and an art form—made for men, The Farewell Tour asks us to consider how much of our past we can ever leave behind.

LONGLISTED FOR THE 2022 BOOKER PRIZE An exhilarating debut from a radiant new voice, After Sappho reimagines the intertwined lives of feminists at the turn of the twentieth century. "The first thing we did was change our names. We were going to be Sappho," so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: "I want to make life fuller and fuller." Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past.

A British climber has fallen from a cliffside in Nepal, and lies inert on a ledge below. Two sherpas kneel at the edge, stand, exchange the odd word, waiting for him to move, to make a decision, to descend. In those minutes, the world opens up to Kathmandu, a sun-bleached beach town on another continent, and the pages of Julius Caesar. Mountaineering, colonialism, obligation—in Sebastián Martínez Daniell's effortless prose each breath is crystalline, and the whole world is visible from here.

In tumultuous 1860, South Carolina farmer Polly struggles to hold onto both her land and the slaves who plant and tend her valuable cotton, while still reeling from the murder of her young brothers years before. This horrific crime has gone unsolved and unpunished—until now. When details of the brutal murder come to light, she must make decisions that will change not only her own life, but the lives of every person on her farm.

"From page one, A Country You Can Leave is a riveting, exasperating, and deeply heartbreaking tale of mother-daughter strife and resilience." —Xochitl Gonzalez, author of Olga Dies Dreaming A stunning debut novel following the turbulent relationship of a Black, biracial teen and her ferocious Russian mother, struggling to survive in the California desert. When sixteen-year-old Lara and her fiery mother, Yevgenia, find themselves homeless again, the misnamed Oasis Mobile Estates is all they can afford. In this new community, where residents are down on their luck but rich in humor and escape plans, Lara navigates what it means to be the Black, biracial daughter of a Russian mother and begins to wonder what a life beyond Yevgenia’s orbit—insistence on reading only the right kind of books (Russian), having the right kind of relationships (casual, with lots of sex)—might look like. Lara knows that something else lies beneath her mother’s fierce, independent spirit, but Yevgenia doesn't believe in sharing, least of all with her daughter. When a brutal attack exposes the cracks in their relationship, Lara and Yevgenia are forced to confront the family legacy of violence and the strain of inherited trauma on the bonds of their love. A Country You Can Leave is a dazzling, sharp-witted story, suffused with yearning, as Lara and Yevgenia attempt to forge their own identities and thrive in a hostile land. Compelling and empathetic, wry and intimate, Asale Angel-Ajani's unforgettable debut novel examines the beauty and dangers of womanhood in multiracial America. A Macmillan Audio production from Farrar, Straus and Giroux.

An edgy, bitingly funny debut about a queer, half-Nigerian college sophomore who, enraged and exhausted by the racism at her elite college, is determined to reveal the truth about The Unfortunates—the unlucky subset of Black undergrads who Just. Keep. Disappearing. Sahara is Not Okay. Entering her sophomore year, she already feels like a failure: her body is too much, her love life is nonexistent, she’s not Nigerian enough for her family, her grades are subpar, and, well, the few Black classmates she has are vanishing—or dying. Sahara herself is close to giving up: depression has been her longtime “Life Partner." She believes that this narrative—taking the form of an irreverent, no-holds-barred “thesis” addressed to the powerful University Committee that will judge her—may be her last chance to document the Unfortunates' experience before she joins their ranks...But maybe, just maybe, she and her complex community of BIPOC women aren't ready to go out without a fight.

A wildly over-the-top social satire reimagining the mad misadventures of the iconic royal cousins King Ludwig and Empress Sisi, from the incomparable Jac Jemc. History knows them as King Ludwig II of Bavaria and Empress Elizabeth of Austria, icons of the late nineteenth century who died young and left behind magnificent portraits and palaces. But to each other they were Ludwig and Sisi, cousins who shared a passion for beauty and a stubborn refusal to submit to the roles imposed upon them. Ludwig, simultaneously spoiled and punished for his softness and "unmanly" interests, falls hard for the operas of Richard Wagner and neglects his state duties in the pursuit of art. Sisi, married at the age of sixteen to her beloved Franzl, bristles at the restrictions of her elevated position, the value placed on her beauty, and the simultaneous expectation that she ravage her body again and again in childbirth. Both absurdly vain, both traumatized by the demands of their roles, Sisi and Ludwig struggle against the ideals they are expected to embody, and resist through extravagance, petulance, performance, and frivolity. A tragicomic tour de force, Empty Theatre immerses readers in Ludwig and Sisi’s rarefied, ridiculous, restrictive world—where the aesthetics of excess belie the isolation of its inhabitants. With wit, pathos, and imagination, Jac Jemc takes us on an unforgettable journey through two extraordinary parallel lives and the complex, tenuous friendship that linked them.

A beguiling blend of noir detective story and science fiction perfect for fans of Michael Chabon and Emily St. John Mandel, this unputdownable debut imagines a world where emotions have been weaponized, and a small-town law enforcement agent uncovers a conspiracy to take down what’s left of American democracy. In an alternate 2009, the United States has been a second-rate power for a quarter of a century, ever since Argentina’s victory in the Falkland’s War thanks to their development of “psychopigments.” Created as weapons, these colorful chemicals can produce almost any human emotion upon contact, and they have been embraced in the US as both pharmaceutical cure-alls and popular recreational drugs. Black market traders illegally sell everything from Blackberry Purple (which causes terror) to Sunshine Yellow (which delivers happiness). Psychopigment Enforcement Agent Kay Curtida works a beat in Daly City, just outside the ruins of San Francisco, chasing down smalltime crooks. But when an old friend shows up with a tantalizing lead on a career-making case, Curtida’s humdrum existence suddenly gets a boost. Little does she know that this case will send her down a tangled path of conspiracy and lead to an overdue reckoning with her family and with the truth of her own emotions. Told in the voice of a funny, brooding, Latinx Sam Spade, The Shamshine Blind is “a rip-roaring beautifully crafted mash-up of cop noir, sci-fi, and alt-history that left me dazzled by its prescience and literary zing” (Leah Hampton, author of F*ckface).

A FEBRUARY 2023 INDIE NEXT PICK LONGLISTED FOR THE 2022 DESMOND ELLIOTT PRIZE  A short, lyrical debut novel about love, loss, work, time, and the unquenchable desire for connection with others—for fans of Jenny Offill, Mieko Kawakami, David Szalay and Sheila Heti The second time you came, we went from bar to bar to bar. It made the city feel smaller. Like a map we were folding to the size of a stamp. We were good at that. We could have fit an entire universe inside a matchbox.  Exquisitely crafted, richly imagined, and as funny as it is moving, Hourglass is an unusual and uniquely told love story. Turning time upside down, it combs the wreckage of personal heartbreak for something universal and asks what it means to lose what you love. “This book is such a sneaky head f*ck—an epic poem in an ancient style about the brutalities of modern love, a masculine interrogation of feminine heartbreak, a really beautiful way to spend an evening”—Lena Dunham

Soap opera star by day, harried, single mom by night, Calliope Hart’s life is a delicate balancing act. When the network cancels her show, Callie’s world crumbles and she must decide whether it’s more important to fight to save the show or take a risk and start over from scratch. By day, for 25 years, soap opera fans have known actress Calliope Hart as Napa Valley’s resident diva, Jessica Sinclair. By night, Callie is a flustered breadwinner, scrambling to provide for her 12-year-old son and her mother. So when the network announces that her show will be canceled, Callie is beyond shocked—she doesn’t know who she is anymore. At first, driven by financial concerns for her family that include blackmail payments to her son’s biological father, she rallies fans to save the show. But is that what she really wants? When she learns that her mother has been driving her son to auditions she’s strictly forbidden—and worse, that he’s been offered opportunities—Callie sees her own child’s youth and drive in competition with her age and experience. Set in modern-day Hollywood, Daytime Drama is a story about having the guts to reach for the sky. Callie must decide whether to play it safe or summon the courage her son displays to risk her lucky meal ticket and reinvent her career—and, for the first time, test her mettle as an actress and a mom.

A singular debut from “an important and radical new literary voice” (Elif Batuman), The Applicant explores with wit and brevity what it means to be an immigrant, woman, and emerging writer It’s 2017 and Leyla, a Turkish twenty-something living in Berlin is scrubbing toilets at an Alice in Wonderland-themed hostel after failing her thesis, losing her student visa, and suing her German university in a Kafkaesque attempt to reverse her failure. Increasingly distant from what used to be at arm’s reach—writerly ambitions, tight knit friendships, a place to call home—Leyla attempts to find solace in the techno beats of Berlin’s nightlife, with little success. Right as the clock winds down on the hold on her visa, Leyla meets a conservative Swedish tourist and—against her political convictions and better judgment—begins to fall in love, or something like it. Will she accept an IKEA life with the Volvo salesman and relinquish her creative dreams, or return to Turkey to her mother and sister, codependent and enmeshed, her father’s ghost still haunting their lives? While she waits for the German court’s verdict on her future, in the pages of her diary, Leyla begins to parse her unresolved past and untenable present. An indelible character at once precocious and imperiled, Leyla gives voice to the working-class and immigrant struggle to find safety, self-expression, and happiness. The Applicant is an extraordinary dissection of a liminal life between borders and identities, an original and darkly funny debut.

“The Sun Walks Down is the book I'm always longing to find: brilliant, fresh and compulsively readable. It is marvelous. I loved it start to finish.” —Ann Patchett, author of The Dutch House Fiona McFarlane's blazingly brilliant new novel, The Sun Walks Down, tells the many-voiced, many-sided story of a boy lost in colonial Australia. In September 1883, a small town in the South Australian outback huddles under strange, vivid sunsets. Six-year-old Denny Wallace has gone missing during a dust storm, and the entire community is caught up in the search for him. As they scour the desert and mountains for the lost child, the residents of Fairly—newlyweds, farmers, mothers, indigenous trackers, cameleers, children, artists, schoolteachers, widows, maids, policemen—confront their relationships, both with one another and with the land­scape they inhabit. The colonial Australia of The Sun Walks Down is noisy with opinions, arguments, longings, and terrors. It's haunted by many gods—the sun among them, rising and falling on each day in which Denny could be found, or lost forever. Told in many ways and by many voices, Fiona McFarlane's new novel pulses with love, art, and the unbearable divine. It arrives like a vision: mythic, vivid, and bright with meaning. A Macmillan Audio production from Farrar, Straus and Giroux.

An incisive, deeply resonant debut novel about a nonconsensual sexual encounter that propels one woman’s final semester at an elite New England college into controversy and chaos—and into an ill-advised affair with a married professor. It’s 1998 and Isabel Rosen, the only daughter of a Lower East Side appetizing store owner, has one semester left at Wilder College, a prestigious school in New Hampshire. Desperate to shed her working-class roots and still mourning the death of her mother four years earlier, Isabel has always felt like an outsider at Wilder but now, in her final semester, she believes she has found her place—until a nonconsensual sexual encounter with one of the only other Jewish students on campus leaves her reeling. Enter R. H. Connelly, a once-famous poet and Isabel’s writing professor, a man with secrets of his own. Connelly makes Isabel feel seen, beautiful, talented: the woman she longs to become. His belief in her ignites a belief in herself, and the two begin an affair that shakes the foundation of who Isabel thinks she is, for better and worse. As the lives of the adults around her slowly come apart, Isabel discovers that the line between youth and adulthood is less defined than she thought. A coming-of-age story set against the backdrop of the Clinton/Lewinsky scandal, Daisy Alpert Florin's My Last Innocent Year is a timely and wise portrait of a young woman learning to trust her voice and move toward independence while recognizing the beauty and grit of where she came from. A Macmillan Audio production from Henry Holt & Company.

"Sonora Jha expertly inhabits the perspective of a man so terrified of the old world slipping away, he can’t see the ground shifting beneath his feet. A deliciously sharp, mercilessly perceptive exploration of power, The Laughter explores how ‘otherness’ is both fetishized and demonized, and what it means to love something—a person, a country—that does not love you back."—Celeste Ng, New York Times-bestselling author of Little Fires Everywhere and Our Missing Hearts A white male college professor develops a dangerous obsession with his new Pakistani colleague in this modern, iconoclastic novel. Dr. Oliver Harding, a tenured professor of English, is long settled into the routines of a divorced, aging academic. But his quiet, staid life is upended by his new colleague, Ruhaba Khan, a dynamic Pakistani Muslim law professor. Ruhaba unexpectedly ignites Oliver’s long-dormant passions, a secret desire that quickly tips towards obsession after her teenaged nephew, Adil Alam, arrives from France to stay with her. Drawn to them, Oliver tries to reconcile his discomfort with the worlds from which they come, and to quiet his sense of dismay at the encroaching change they represent—both in background and in Ruhaba’s spirited engagement with the student movements on campus. After protests break out demanding diversity across the university, Oliver finds himself and his beliefs under fire, even as his past reveals a picture more complicated than it seems. As Ruhaba seems attainable yet not, and as the women of his past taunt his memory, Oliver reacts in ways shocking and devastating. An explosive, tense, and illuminating work of fiction, The Laughter is a fascinating portrait of privilege, radicalization, class, and modern academia that forces us to confront the assumptions we make, as both readers and as citizens.

“Imagine if Patricia Highsmith had written The Secret Life of Walter Mitty and instead of heroic daydreams she gave her protagonist murderous ones—that would be Bookworm. Robin Yeatman’s story is subversive, surprising, and satisfying in a way that only the best comic noir can be.”—Claire Oshetsky, author of Chouette A wickedly funny debut novel—a black comedy with a generous heart that explores the power of imagination and reading—about a woman who tries to use fiction to find her way to happiness. Victoria is unhappily married to an ambitious and controlling lawyer consumed with his career. Burdened with overbearing in-laws, a boring dead-end job she can’t seem to leave, and a best friend who doesn’t seem to understand her, Victoria finds solace from the daily grind in her beloved books and the stories she makes up in her head. One day, in a favorite café, she notices an attractive man reading the same talked-about bestselling novel that she is reading. A woman yearning for her own happy ending, Victoria is sure it’s fate. The handsome book lover must be her soul mate. There’s only one small problem. Victoria is already married. Frustrated, and desperate to change her life, Victoria retreats to the dark places in her mind and thinks back to all the stories she’s ever read in hopes of finding a solution. She begins to fantasize about nocturnal trysts with café man, and imaginative ways (poisoned pickles were an inspired choice in Jane Smiley’s A Thousand Acres) of getting rid of the dread husband.  It’s all just harmless fantasy born of Victoria’s fevered imagination and her books—until, one night, fiction and reality blur and suddenly it seems Victoria is about to get everything she’s wished for . . . .