Identity & Culture Fiction Ebooks

Chronicling the beauty and turmoil of a rapidly changing Cameroon, Days Come and Go is the remarkable story of three generations of women both within and beyond its borders. Through the voices of Anna, a matriarch living out her final days in Paris; Abi, Anna’s thoroughly European daughter (at least in her mother’s eyes); and Tina, a teenager who comes under the sway of a militant terrorist faction, Boum’s epic is generous and all-seeing. Brilliantly considering the many issues that dominate her characters’ lives—love and politics, tradition and modernity—Days Come and Go, in Nchanji Njamnsi’s vivid translation, is a page-turner by way of Frantz Fanon and V. S. Naipaul. As passions rise, fall, and rise again, Boum's stirring English-language debut offers a discerning portrait of a nation that never once diminishes the power of everyday human connection.

The author of the “brazenly hilarious, tell-it-like-it-is first novel” (Oprah Daily) Queenie returns with another witty and insightful novel about the power of family—even when they seem like strangers. If you could choose your family...you wouldn’t choose the Penningtons. Dimple Pennington knows of her half siblings, but she doesn’t really know them. Five people who don’t have anything in common except for faint memories of being driven through Brixton in their dad’s gold jeep, and some pretty complex abandonment issues. Dimple has bigger things to think about. She’s thirty, and her life isn’t really going anywhere. An aspiring lifestyle influencer with a terrible and wayward boyfriend, Dimple’s life has shrunk to the size of a phone screen. And despite a small but loyal following, she’s never felt more alone in her life. That is, until a dramatic event brings her half siblings Nikisha, Danny, Lizzie, and Prynce crashing back into her life. And when they’re all forced to reconnect with Cyril Pennington, the absent father they never really knew, things get even more complicated. From an author with “a flair for storytelling that appears effortlessly authentic” (Time), People Person is a vibrant and charming celebration of discovering family as an adult.

“A standout achievement…American speech is an underused commodity in contemporary fiction and it’s a joy to find such a vital example of it here.” —The Wall Street Journal From a superb new literary talent, a rich, lyrical collection of stories about a tight-knit cast of characters grappling with their own personal challenges while the forces of gentrification threaten to upend life as they know it. At Banneker Terrace, everybody knows everybody, or at least knows of them. Longtime tenants’ lives are entangled together in the ups and downs of the day-to-day, for better or for worse. The neighbors in the unit next door are friends or family, childhood rivals or enterprising business partners. In other words, Harlem is home. But the rent is due, and the clock of gentrification—never far from anyone’s mind—is ticking louder now than ever. In eight interconnected stories, Sidik Fofana conjures a residential community under pressure. There is Swan, in apartment 6B, whose excitement about his friend’s release from prison jeopardizes the life he’s been trying to lead. Mimi, in apartment 14D, hustles to raise the child she had with Swan, waitressing at Roscoe’s and doing hair on the side. And Quanneisha B. Miles, in apartment 21J, is a former gymnast with a good education who wishes she could leave Banneker for good, but can’t seem to escape the building’s gravitational pull. We root for the tight-knit cast of characters as they weave in and out of one another’s narratives, working to escape their pasts and blaze new paths forward for themselves and the people they love. All the while we brace, as they do, for the challenges of a rapidly shifting future. Stories from the Tenants Downstairs brilliantly captures the joy and pain of the human experience in this “singular accomplishment from a writer to watch” (Library Journal, starred review).

INSTANT NEW YORK TIMES BESTSELLER A Read With Jenna Today Show Book Club Pick! “One of the most beautiful books of motherhood and what we pass on to those that come after us.” —Jenna Bush Hager, Today The New York Times bestselling author of the “mesmerizing and evocative” (Sara Gruen, author of Water for Elephants) Hotel on the Corner of Bitter and Sweet returns with a powerful exploration of the love that binds one family across the generations. Dorothy Moy breaks her own heart for a living. As Washington’s former poet laureate, that’s how she describes channeling her dissociative episodes and mental health struggles into her art. But when her five-year-old daughter exhibits similar behavior and begins remembering things from the lives of their ancestors, Dorothy believes the past has truly come to haunt her. Fearing that her child is predestined to endure the same debilitating depression that has marked her own life, Dorothy seeks radical help. Through an experimental treatment designed to mitigate inherited trauma, Dorothy intimately connects with past generations of women in her family: Faye Moy, a nurse in China serving with the Flying Tigers; Zoe Moy, a student in England at a famous school with no rules; Lai King Moy, a girl quarantined in San Francisco during a plague epidemic; Greta Moy, a tech executive with a unique dating app; and Afong Moy, the first Chinese woman to set foot in America. As painful recollections affect her present life, Dorothy discovers that trauma isn’t the only thing she’s inherited. A stranger is searching for her in each time period. A stranger who’s loved her through all of her genetic memories. Dorothy endeavors to break the cycle of pain and abandonment, to finally find peace for her daughter, and gain the love that has long been waiting, knowing she may pay the ultimate price.

“Education is the new buffalo” is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, “Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?” Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Métis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nêhiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Métis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism. Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of “Métis futurism” explore Indigenous existence and resistance through the specific lens of being Métis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways.

A poignant, heartwarming, and charmingly funny debut novel about how a discovered box in the attic leads one Bengali American family down a path toward understanding the importance of family, even when splintered. Shantanu Das is living in the shadows of his past. In his fifties, he finds himself isolated from his traditional Bengali community after a devastating divorce from his wife, Chaitali; he hasn’t spoken to his eldest daughter Mitali in months; and most painfully, he lives each day with the regret that he didn’t accept his teenaged daughter Keya after she came out as gay. As the anniversary of Keya’s death approaches, Shantanu wakes up one morning utterly alone in his suburban New Jersey home and realizes it’s finally time to move on. This is when Shantanu discovers a tucked-away box in the attic that could change everything. He calls Mitali and pleads with her to come home. She does so out of pity, not realizing that her life is about to shift. Inside the box is an unfinished manuscript that Keya and her girlfriend were writing. It’s a surprising discovery that brings Keya to life briefly. But Neesh Desai, a new love interest for Mitali with regrets of his own, comes up with a wild idea, one that would give Keya more permanence: what if they are to stage the play? It could be an homage to Keya’s memory, and a way to make amends. But first, the Dases need to convince Pamela Moore, Keya’s girlfriend, to give her blessing. And they have to overcome ghosts from the past they haven’t met yet. A story of redemption and righting the wrongs of the past, Keya Das’s Second Act is a warmly drawn homage to family, creativity, and second chances. Set in the vibrant world of Bengalis in the New Jersey suburbs, this debut novel is both poignant and, at times, a surprising hilarious testament to the unexpected ways we build family and find love, old and new.