Find your next favorite book
Become a member today and read free for 30 daysStart your free 30 daysBook Information
Writing into the Wound: Understanding trauma, truth, and language
By Roxane Gay
Book Actions
Start Reading- Publisher:
- Scribd Originals
- Released:
- Feb 11, 2021
- ISBN:
- 9781094400020
- Format:
- Book
Editor's Note
Description
“Roxane Gay seems to have a knack for fearlessly telling the truth.” —The New York Times
From the bestselling author of Hunger and Bad Feminist, an unforgettable, deeply personal look at how trauma has shaped her life and work—and what all of us need to do to come to grips with the collective suffering of the past year.
Bestselling author and cultural icon Roxane Gay is no stranger to trauma. As a young girl, she was the victim of a horrifying act of violence that changed her life and would strongly influence her career as a writer. In her 2017 memoir Hunger, she addressed that trauma head-on, writing with bracing honesty about her body and the ways that food can be used both to bury pain and make oneself disappear. The response to Hunger by some critics who seemed to take perverse pleasure in highlighting Gay’s vulnerabilities was itself a fresh wound. By exploring trauma publicly, Gay suffered more of it.
In her Scribd Original Writing into the Wound, Gay not only talks openly about trauma in her personal life—from her fraught time as an undergraduate at Yale to the stress of returning there as a visiting professor to the fallout from Hunger—but also about the collective trauma we’ve experienced this past year. COVID-19, racial and economic inequality, political strife, imminent environmental disaster, and more: Gay catalogs it all with her trademark candor and authority. To make sense of our pain, she suggests, we need to explore it fully, even as we’re still in the midst of it. Just as she writes her way through her own traumas and coaches her students to do the same, she urges us to take a long, hard look at the wounds we all share: “The world as we knew it has broken wide open. There is a before and an after, and the world will never again be what it once was. That sounds terrifying, but it is an opportunity.”
“To change the world, we need to face what has become of it,” she writes. “To heal from a trauma, we need to understand the extent of it.” Full of wisdom and rage and grace, Writing into the Wound is a remarkable consideration of where we are, and where we need to go, by one of the finest authors and cultural critics of her generation.
Book Actions
Start ReadingBook Information
Writing into the Wound: Understanding trauma, truth, and language
By Roxane Gay
Editor's Note
Description
“Roxane Gay seems to have a knack for fearlessly telling the truth.” —The New York Times
From the bestselling author of Hunger and Bad Feminist, an unforgettable, deeply personal look at how trauma has shaped her life and work—and what all of us need to do to come to grips with the collective suffering of the past year.
Bestselling author and cultural icon Roxane Gay is no stranger to trauma. As a young girl, she was the victim of a horrifying act of violence that changed her life and would strongly influence her career as a writer. In her 2017 memoir Hunger, she addressed that trauma head-on, writing with bracing honesty about her body and the ways that food can be used both to bury pain and make oneself disappear. The response to Hunger by some critics who seemed to take perverse pleasure in highlighting Gay’s vulnerabilities was itself a fresh wound. By exploring trauma publicly, Gay suffered more of it.
In her Scribd Original Writing into the Wound, Gay not only talks openly about trauma in her personal life—from her fraught time as an undergraduate at Yale to the stress of returning there as a visiting professor to the fallout from Hunger—but also about the collective trauma we’ve experienced this past year. COVID-19, racial and economic inequality, political strife, imminent environmental disaster, and more: Gay catalogs it all with her trademark candor and authority. To make sense of our pain, she suggests, we need to explore it fully, even as we’re still in the midst of it. Just as she writes her way through her own traumas and coaches her students to do the same, she urges us to take a long, hard look at the wounds we all share: “The world as we knew it has broken wide open. There is a before and an after, and the world will never again be what it once was. That sounds terrifying, but it is an opportunity.”
“To change the world, we need to face what has become of it,” she writes. “To heal from a trauma, we need to understand the extent of it.” Full of wisdom and rage and grace, Writing into the Wound is a remarkable consideration of where we are, and where we need to go, by one of the finest authors and cultural critics of her generation.
- Publisher:
- Scribd Originals
- Released:
- Feb 11, 2021
- ISBN:
- 9781094400020
- Format:
- Book
About the author
Related to Writing into the Wound
Book Preview
Writing into the Wound - Roxane Gay
IN THE SUMMER OF 1994, I was a rising junior at Yale University. I had already changed my major twice. I began as a premed student, because I had an elaborate fantasy about becoming an emergency room doctor, fast on my feet, saving lives, engaging in torrid affairs with my fellow doctors, sex in on-call rooms, living a grand life. And then I took introductory biology with a professor who told the hundreds of eager students sitting before him that his class was designed to separate the biology dilettantes from the students who had the potential to become doctors. As the semester progressed, I was slow to make sense of the course material and quick to understand that I was one of the dilettantes he was so eager to dissuade from the medical profession.
At the beginning of my sophomore year, I decided I would be an architect. My father is a civil engineer, so I hoped that an understanding of structures was part of my genetic inheritance. I loved my architecture classes. I loved building models and imagining what structures could be. In an urban planning class, I learned about how a city is designed and the importance of green space. In the studio, late at night, I would cut cork sheets with my X-Acto knife, and sometimes my hands. I had good ideas, but I struggled with physics, the laws of gravity, and designing structures that could realistically exist.
I worked part-time in a computer lab in the cross-campus underground library. I loved technical theater and spent an inordinate amount of time on drama productions, designing and building sets, running soundboards, doing whatever needed to be done to make a show come alive from behind the scenes. Finally, at the end of my sophomore year, I settled on English. I loved reading and I loved writing, so surely studying reading and writing would be a natural fit. I moved with a roommate into an apartment off-campus above a small grocery store. I monopolized the phone line and used a modem to navigate the early internet, which is to say I spent a lot of time talking to strange men about sex. I pretended to be anyone but myself, hoping I could lose myself in the virtual world. I wanted to lose myself because I was losing my mind. I was breaking beneath the pressure of trying to be the good daughter and the perfect student when I was so desperately far from perfect. I was carrying a secret and using food to fill an ever-expanding void inside myself. And then, a few weeks before the semester began, I disappeared.
In the ensuing years, my life has changed radically, and so has the world. As I write this, we are in the midst of an intense and seemingly unceasing collective trauma. Donald Trump’s reign as president and the grandest disgrace in American history is just behind us. The world has been ravaged by a pandemic that is particularly out of control in the United States. We have a new president, but a record number of people are going hungry as unemployment rises, along with the number of families falling
Reviews
I'm grateful for Roxanne Gay's writing. The power, vulnerability and fluidity of her words reach my heart and inspire my mind. As a memoirist in development and a fellow “architect of their own vulnerability” I appreciate Gay’s framing of the importance of the audience, the reader and her guidance to be wary not to indulge in confession and assume trauma’s function only as “pornographic,” an “easy way to create narrative tension,” but to work to portray “flawed people who hurt and who were hurt,” and not just as victims and villains.
Reading this, I wished to be one of those fifteen chosen undergrads, but as a mom on the brink of her mid-century, I am super excited to put on my life-long student hat in her newly released MasterClass.
Don’t we all feel just a little too raw these days? Aren’t we all grasping at the straws of our once tidy lives? This piece says “yes, it is unraveling. It always was, and here’s how to find the loose thread and pull it gently and spool the yarn. Collect it and weave something new.” Thank you for showing me how.