Short Stories & Anthologies Audiobooks

 “Ana Castillo is an American treasure. Fearless, compassionate, and flat-out brilliant—she is the writer we need as we navigate the challenges of our ever-changing world.”—Tayari Jones, author of An American Marriage “Ana Castillo is de primera storyteller.”—award-winning author Julia Alvarez Literary legend Ana Castillo explores the secrets that are kept within households and the women they impact the most in this breakout collection that cements her place as a leading voice in feminist fiction. The first person in her traditional Mexican American family to graduate from high school, Katia is entering adulthood at a time of turbulent change. Across the nation young people are fighting for civil and women’s rights and protesting the Vietnam War and brutal dictatorships in South America. Like so many of her generation, Katia wants to make the world a better place, and is determined to follow her own path.  As she considers moving to California to join La Causa, Mexican American activist Cesar Chavez’s movement to improve the working conditions of migrant farmer workers, Katia receives an unexpected gift from her father: a plane ticket to Mexico City. Bring back your mother, he says, tell her, her children need her. And so Katia joins this cause, to get Tina back to Chicago. But it won't be easy. Katia must learn to navigate a liberated version of her mother in a new country where she is now hawking supposedly superior cleaning products, called Donna Clean Well.  Katia is but one of the voices introduced in this dazzling collection of short fiction from revered writer Ana Castillo. Spanning from Chicago to Mexico to New Mexico, the stories in Doña Cleanwell Leaves Home illuminate a chorus of people whose stories will leave you breathless.

Ernest Hemingway’s landmark short story of a veteran’s solo fishing trip in Michigan’s rugged Upper Peninsula, featuring a revelatory foreword by John N. Maclean. “A century since its publication in the collection In Our Time, “Big Two-Hearted River” has helped shape language and literature in America and across the globe, and its magnetic pull continues to draw readers, writers, and critics. The story is the best early example of Ernest Hemingway’s now-familiar writing style: short sentences, punchy nouns and verbs, few adjectives and adverbs, and a seductive cadence. Easy to imitate, difficult to match. The subject matter of the story has inspired generations of writers to believe that fly fishing can be literature. More than any of his stories, it depends on his ‘iceberg theory’ of literature, the notion that leaving essential parts of a story unsaid, the underwater portion of the iceberg, adds to its power. Taken in context with his other work, it marks Hemingway’s passage from boyish writer to accomplished author: nothing big came before it, novels and stories poured out after it.” —from the foreword by John N. Maclean

A startling and vivid debut novel in stories from acclaimed poet and translator Fiona Sze-Lorrain, featuring deeply compelling Asian women who reckon with the past, violence, and exile—set in Shanghai, Beijing, Singapore, Paris, and New York. Composed of several interconnected stories, each taking place in a year ending with the number six, ironically a number that in Chinese divination signifies “a smooth life,” Dear Chrysanthemums is a novel about the scourge of inhumanity, survival, and past trauma that never leaves. The women in these stories are cooks, musicians, dancers, protestors, mothers and daughters, friends and enemies, all inexplicably connected in one way or another. “Cooking for Madame Chiang,” 1946: Two cooks work for Madame Chiang Kai-shek and prepare a foreign dish craved by their mistress, which becomes a political weapon and leads to their tragic end. “Death at the Wukang Mansion,” 1966: Punished for her extramarital affair, a dancer is transferred to Shanghai during the Cultural Revolution and assigned to an ominous apartment in a building whose other residents often depart in coffins. “The White Piano,” 1966: A budding pianist from New York City settles down in Paris and is assaulted when a mysterious piano arrives from Singapore. “The Invisible Window,” 2016: After their exile following the Tiananmen Square massacre, three women gather in a French cathedral to renew their friendship and reunite in their grief and faith. With devastating precision, a masterly ear for language, and a profound understanding of both human cruelty and compassion, Fiona Sze-Lorrain weaves Dear Chrysanthemums, an evocative and disturbing portrait of diasporic life, the shared story of uprooting, resilience, artistic expression, and enduring love.

A raw and remarkable debut story collection concerning substance abuse, societal alienation, and doomed romance from a writer whose work has appeared in prestigious literary journals including The Paris Review. An amusement park employee overdoses after eating the gel of a fentanyl patch. Two homeless men discover the body of a drowned woman. A sister encounters a dangerous stranger while driving her brother to rehab. Ex-lovers seek to rekindle their relationship with the aid of an earthquake. In the nine masterful stories that comprise Thrillville, USA, debut author Taylor Koekkoek depicts Americans living on the margins of society, seeking escape from isolation and underemployment in drugs, booze, and self-destructive relationships. While the action is set largely in the rural Pacific Northwest, the characters’ malaise and disaffectedness is endemic of the country as a whole. The title takes its name from the aforementioned amusement park, but Thrillville is as much a state of mind as an actual place—a sardonic commentary on contemporary America consumed by opioid addiction, social media obsession, wealth inequality and political polarization. Yet as haunting as these stories are, they are not hopeless. Gorgeously written, they share a transcendental quality—an acknowledgment of and appreciation for the beauty in all things, even the most profane and grotesque.

A debut, interlinked collection of stories exploring the primal nature of women’s grief—offering insight into the profound experience of loss and the absurd ways in which we seek control in an unruly world. Seamlessly shifting between the speculative and the blindingly real, balancing the bizarre with the subtle brutality of the mundane, A Manual for How to Love Us is a tender portrait of women trying their best to survive, love, and find genuine meaning in the aftermath of loss. In these unconventional and unpredictably connected stories, Erin Slaughter shatters the stereotype of the soft-spoken, sorrowful woman in distress, queering the domestic and honoring the feral in all of us. In each story, grieving women embrace their wildest impulses as they attempt to master their lives: one woman becomes a “gazer” at a fraternity house, another slowly moves into her otherworldly stained-glass art, a couple speaks only in their basement’s black box, and a thruple must decide what to do when one partner disappears. The women in Erin Slaughter’s stories suffer messy breaks, whisper secrets to the ghosts tangled in the knots of their hair, eat raw meat to commune with their inner wolves, and build deadly MLM schemes along the Gulf Coast. Set across oft-overlooked towns in the American South, A Manual for How to Love Us spotlights women who are living on the brink and clinging to its precipitous edge. Lyrical and surprisingly humorous, A Manual for How to Love Us is an exciting debut that reveals the sticky complications of living in a body, in all its grotesquerie and glory.

In his first-ever collection, the award-winning author of the Billy Boyle World War II mysteries presents an eclectic mix of new and previously published mystery stories rife with historical detail and riveting wartime storytelling. “The Horse Chestnut Tree” explores betrayal and murder during the American Revolution. In the speculative work “Glass,” an atomic supercollider and the breakdown of the time-space continuum change the lives of two cousins devoured by greed. “Vengeance Weapon,” a historical thriller about an enslaved Jewish laborer working at the Dora concentration camp, looks at how far someone will go to get revenge. And for his Billy Boyle fans, Benn delivers “Irish Tommy,” a police procedural set in 1944 Boston featuring Billy’s father and uncle.Full of terror, action, amusement, and bliss, The Refusal Camp is a must-have collection from a crime fiction veteran at the height of his career.

The Islands follows the lives of Jamaican women—immigrants or the descendants of immigrants—who have relocated all over the world to escape the ghosts of colonialism on what they call the Island. Set in the United States, Jamaica, and Europe, these international stories examine the lives of an uncertain and unsettled cast of characters. In one story, a woman and her husband impulsively leave San Francisco and move to Florida with wild dreams of American reinvention only to unearth the cracks in their marriage. In another, the only Jamaican mother—who is also a touring comedienne—at a prep school feels pressure to volunteer in the school's International Day. Meanwhile, in a third story, a travel writer finally connects with the mother who once abandoned her. Set in locations and times ranging from 1950s London to 1960s Panama to modern-day New Jersey, Dionne Irving reveals the intricacies of immigration and assimilation in this debut, establishing a new and unforgettable voice in Caribbean-American literature. Restless, displaced, and disconnected, these characters try to ground themselves—to grow where they find themselves planted—in a world in which the tension between what's said and unsaid can bend the soul.

A bone-chilling anthology from legendary horror editor Ellen Datlow, Screams from the Dark contains twenty-nine all-original tales about monsters. From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous? Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown . . . and unimaginable. This chilling collection has something to please—and terrify—everyone, so lock your doors, hide under your covers, and try not to scream.

From an award-winning team of editors comes an anthology of thirty-two original stories showcasing the breadth of fantasy and science fiction from Africa and the African Diaspora. A group of cabinet ministers queries a supercomputer containing the minds of the country’s ancestors. A child robot on a dying planet uncovers signs of fragile new life. A descendant of a rain goddess inherits her grandmother’s ability to change her appearance—and perhaps the world. Created in the legacy of the seminal, award-winning anthology series Dark Matter, Africa Risen celebrates the vibrancy, diversity, and reach of African and AfroDiasporic science fiction and fantasy and reaffirms that Africa is not rising—it’s already here.